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Lots of characters have ongoing drama or side-stories, but Sigrun’s is by far my favorite. This is a turning point for both characters and a pretty cathartic moment if you’ve been quietly cheering for Sigrun all this time. And yet here she is treating Sigrun as less than a person because of her heritage. Grace, a black woman living in Nazi-occupied USA, already understands how cruel and destructive prejudice can be. She demands to be treated like a human being. Sigrun is finally sick of being called a Nazi and stands up for herself. Grace has been disrespecting her since the two of them met, and Sigrun has been putting up with it. Sigrun is shy, gentle, overweight, and lovesick, and at least half of those problems are the fault of her tyrannical mother. The problem is that Grace, the new resistance leader, hates her and keeps calling her a Nazi. She’s betrayed both the Nazis and her mother to join up with the good guys. You might remember we picked up Sigrun Engel – daughter of main villain General Engel – back in the introduction. She's got Grace in a one-handed death-grip and Grace can't do anything about it. Sigrun might be carrying some extra weight, but underneath all that she apparently has serious upper-body strength. You can have an unconventional structure, but you still need to maintain the sense of tension that pulls an audience through a story. The problem is that we’re going into the last stage of the game and it doesn’t particularly feel like it. The rules of storytelling aren’t written in stone and having a party before a big battle is a real thing some people do to take their mind off the stress. Having a party at this point isn’t strictly wrong or anything. It’s fine to have an unconventional story structure if that’s what you need. This story hit the emotional low point at the two-thirds mark when BJ lost his head, and then we did the fetch quest to Venus. Remind us of the personal drama that made our hero begin this journey in the first place. Show us how terrified the villagers are, or how much the hostages are hurting. Maybe the writer would spend some time to drive home just how bad things have gotten. If the stakes have been large and abstract before now (the city is in danger) then this is where it would become personal (your partner / parents / dog is in danger) and vice versa. Normally you’d expect the writer to remind us of the stakes, or even raise them. This is the point where most stories bring our heroes low with self-doubt, personal loss, or internal conflict. This is like the rebels throwing a party just before assaulting the Death Star. Having said that, this is a really odd thing in terms of tone and story structure. It’s a fun scene and sort of hints at the stuff that goes on around the submarine while you’re off doing all the work. Once BJ gets back from Venus, everyone throws a party. Do I REALLY need to know that there are 17 unread tutorials right now?